rants, reports, raves, and embarrassments from eric trules


Why the Hell Do I Do This?

Why the hell do I write this blog? Why have  written it since 2005? Why have I written my e-travels blog since 2002, with stories as ancient as 1970? What for? It’s not like I get a lot of feedback, positive or negative. Does anyone read it? Does anyone care? And if they do, or if they don’t, or if I don’t know they do, does a tree exist in a forest if no one can see it? Good questions, eh? Why? What for, Trules? Now a long time ago, in 1977, on East 15th Street in New Yawk City,…

A Love Letter/Wake Up Call to LA Theater and Actors’ Equity

Here we go again. Just like the rabble-rousing “Waiver Wars” of the mid 80s — union meetings, passionate and heated rhetoric, mano-a-mano infighting — all about the well-being, membership, management, and dare I say, survival, of Los Angeles’s vital 99 seat theater scene. Check it out. As of this writing, there are 5834 members of a closed Facebook group called “Pro99”, created by 24th Street Theatre’s Jay McAdams and stating: “Pro99 is a community group who supports preserving 99-seat theatre in Los Angeles.” (www.facebook.com/groups/348992575287472/). It’s a big deal in this town, run primarily by the film and television entertainment industry,…

The “R” word

5/13/14 It used to be the “C” word. C-c-c-ommitment. Normally a young man’s word. Why ever get married, settle down, have a family, limit your (sexual) options? What about freedom? Opportunity? Spontaneity? Improvisation? Living in the moment? Be here now? What about the 60s? Sex, drugs, and rock ‘n roll? I’ll tell you “what”. Life is what. It has a way of catching up with even the best (free-est) of us? Leaving us older, lonelier, less and less healthy and attractive with each passing year. Maybe even sadder, wiser, but more isolated… eventually, if we don’t make the effort, we…

gino cumeezi, outlaw clown & provocateur

as many of you may, or may not know, i used to be a clown. “gino cumeezi”. that was my name. great grandson of the infamous and toothless “gums” cumeezi. a cross between charlie chaplin, jack kerouac, and grand central station. i like to think of gino as a subversive public fool. a comic outlaw. a provocateur to the max. truly one of new yawk’s “finest”. in fact, gino ran for mayor of new york city in 1977. against the recently deceased (february, 2013), one and only mayor of new yawk, ed koch. “put a real clown in gracie mansion.” that was gino’s campaign slogan. he finished 5th out of 4 candidates.

act three?

“act 3”, you know, of a play? it follows its 2 predecessors: act one, which brilliantly sets up what’s at stake for the protagonist. followed by act two, in which the play develops with tension & suspense as it builds in “rising” action, when finally, you have, “act 3”, the climax and resolution of the play. if it’s a good/happy ending, the play is called a comedy; if it’s a not so good, bummer of an ending, the play is called a tragedy. in either case, act 3, the “falling” action and… the end of the play. now being a…

mountains and ocean and hollywood sign… and yet?

look to the right, exactly 90 degrees from the terraced hillside back deck of lucretia gardens, and there are — the san gabriel mountains — gently looming over the hazy glendale flats. turn 180 degrees back to the left and there’s — the glassy silver rim of the pacific ocean, dividing the big sky of another multi-colored california sunset from the slightly high-rise sprawl of snarky century city and the equally-hazy flats of LA’s toney west side. turn back another 90 degrees to the right, and there, straight ahead, is the white dome of the griffith observatory, the shrubby tree tops of tom mix hill (of legendary silent film cowboy lore), and lo and behold… the iconic hollywood sign itself.

“trules speaks”, changing the world 1 student at a time

may 21, 2010 bucharest, romania, it started out with just the 2 of us. mihaela and i. sitting for lunch at a little wooden table at the “one” café, right next door to the caragiale film and theater university, where i’d been invited to teach for 2 weeks on a fulbright from my imperial government. it was the first day after the first class of solo performance and only 7 out of the 19 students had bothered to show up. half of them late. you know, “romanian time”. i had met mihaela on the street, after the performance of “hamlet”…

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